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Add freelance theatre worker gigs

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Ainsley Ellis 2025-06-01 20:41:21 -04:00
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cvs/web-development.xml → cv.xml
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@ -164,6 +164,112 @@
</description> </description>
</role> </role>
</company> </company>
<company>
<name>Romanian Cultural Institute</name>
<role>
<title>Lighting Designer &amp; Audio–Video Technician</title>
<production>The Retreat</production>
<duration>
<start datetime="2025-01">January 2025</start>
<end datetime="2025-01">January 2025</end>
</duration>
<description>
<p>
I designed the lighting in collaboration with the
performers during their one and only rehearsal in
the space. For the performance itself, I operated
the lights, the sound, and the projections.
</p>
</description>
<url>https://www.rciusa.info/events/national-culture-day-electrifying-simona-maicanescu-in-the-united-states-and-canada</url>
</role>
</company>
<company>
<name>The Sheen Center for Thought &amp; Culture</name>
<role>
<title>Box Office Manager &amp; Run Crew</title>
<production>Odd Man Out</production>
<duration>
<start datetime="2024-05">May 2024</start>
<end datetime="2024-08">August 2024</end>
</duration>
<description>
<p>
Over the show's three-month run, I was in charge of
greeting guests; scanning tickets; and communicating
with Fever, TodayTix and other ticketing providers.
I monitored ticket prices and capacity daily,
producing detailed sales reports for the producers
based on their requests. The immersive show also had
a set in the lobby that needed to be changed during
each show and taken down at the end of the day. I
hung lights, set up furniture, and dressed the space
according to plans created by the set designer. I
also helped audience members utilise technology-free
pouches, locking their devices in a bag for the
duration of the show and unlocking them upon
departure.
</p>
</description>
<url>https://www.sheencenter.org/events/detail/odd-man-out</url>
</role>
</company>
<company>
<name>Out of the Box Theatrics</name>
<role>
<title>Box Office Manager</title>
<production>Until Dark</production>
<duration>
<start datetime="2024-03">March 2024</start>
<end datetime="2024-04">April 2024</end>
</duration>
<description>
<p>
I was in charge of maintaining the front-of-house,
selling merchandise, and scanning tickets via
Eventbrite. I prepared detailed breakdowns for
nightly attendance, complimentary ticket usage, and
total revenue.
</p>
</description>
<url>https://www.broadwayworld.com/off-broadway/article/Et-Alia-Theater-to-Present-UNTIL-DARK-by-Federica-Borlenghi-This-Month-20240205</url>
</role>
</company>
<company>
<name>Theater for the New City</name>
<role>
<title>Sound Designer &amp; Lighting Operator</title>
<production>Stop Kiss</production>
<duration>
<start datetime="2023-05">May 2023</start>
<end datetime="2023-06">June 2023</end>
</duration>
<description>
<p>
I sourced the sound effects and music for the show,
organising them into a QLab workspace for the
soundboard operator. I also operated the lighting
board for every performance.
</p>
</description>
<url>https://www.broadwayworld.com/off-off-broadway/regional/Stop-Kiss-3813008</url>
</role>
</company>
<company>
<name>New York City Fringe</name>
<role>
<title>Sound Designer and Board Operator</title>
<production>This Feeling</production>
<duration>
<start datetime="2020-02">February 2020</start>
<end datetime="2020-03">March 2020</end>
</duration>
<description>
<p>I worked with the writer-director to create music and sound effects for this one-woman show. I was also in charge of operating the sound board during the performances.</p>
</description>
<url>https://www.broadwayworld.com/off-off-broadway/article/THIS-FEELING-A-New-Romantic-Comedy-Premieres-At-The-Frigid-Fringe-Festival-20200225</url>
</role>
</company>
</work-history> </work-history>
<foss-contributions> <foss-contributions>
<project> <project>