diff --git a/cvs/web-development.xml b/cv.xml similarity index 69% rename from cvs/web-development.xml rename to cv.xml index 66adc86..beed70e 100644 --- a/cvs/web-development.xml +++ b/cv.xml @@ -164,6 +164,112 @@ </description> </role> </company> + <company> + <name>Romanian Cultural Institute</name> + <role> + <title>Lighting Designer & Audio–Video Technician</title> + <production>The Retreat</production> + <duration> + <start datetime="2025-01">January 2025</start> + <end datetime="2025-01">January 2025</end> + </duration> + <description> + <p> + I designed the lighting in collaboration with the + performers during their one and only rehearsal in + the space. For the performance itself, I operated + the lights, the sound, and the projections. + </p> + </description> + <url>https://www.rciusa.info/events/national-culture-day-electrifying-simona-maicanescu-in-the-united-states-and-canada</url> + </role> + </company> + <company> + <name>The Sheen Center for Thought & Culture</name> + <role> + <title>Box Office Manager & Run Crew</title> + <production>Odd Man Out</production> + <duration> + <start datetime="2024-05">May 2024</start> + <end datetime="2024-08">August 2024</end> + </duration> + <description> + <p> + Over the show's three-month run, I was in charge of + greeting guests; scanning tickets; and communicating + with Fever, TodayTix and other ticketing providers. + I monitored ticket prices and capacity daily, + producing detailed sales reports for the producers + based on their requests. The immersive show also had + a set in the lobby that needed to be changed during + each show and taken down at the end of the day. I + hung lights, set up furniture, and dressed the space + according to plans created by the set designer. I + also helped audience members utilise technology-free + pouches, locking their devices in a bag for the + duration of the show and unlocking them upon + departure. + </p> + </description> + <url>https://www.sheencenter.org/events/detail/odd-man-out</url> + </role> + </company> + <company> + <name>Out of the Box Theatrics</name> + <role> + <title>Box Office Manager</title> + <production>Until Dark</production> + <duration> + <start datetime="2024-03">March 2024</start> + <end datetime="2024-04">April 2024</end> + </duration> + <description> + <p> + I was in charge of maintaining the front-of-house, + selling merchandise, and scanning tickets via + Eventbrite. I prepared detailed breakdowns for + nightly attendance, complimentary ticket usage, and + total revenue. + </p> + </description> + <url>https://www.broadwayworld.com/off-broadway/article/Et-Alia-Theater-to-Present-UNTIL-DARK-by-Federica-Borlenghi-This-Month-20240205</url> + </role> + </company> + <company> + <name>Theater for the New City</name> + <role> + <title>Sound Designer & Lighting Operator</title> + <production>Stop Kiss</production> + <duration> + <start datetime="2023-05">May 2023</start> + <end datetime="2023-06">June 2023</end> + </duration> + <description> + <p> + I sourced the sound effects and music for the show, + organising them into a QLab workspace for the + soundboard operator. I also operated the lighting + board for every performance. + </p> + </description> + <url>https://www.broadwayworld.com/off-off-broadway/regional/Stop-Kiss-3813008</url> + </role> + </company> + <company> + <name>New York City Fringe</name> + <role> + <title>Sound Designer and Board Operator</title> + <production>This Feeling</production> + <duration> + <start datetime="2020-02">February 2020</start> + <end datetime="2020-03">March 2020</end> + </duration> + <description> + <p>I worked with the writer-director to create music and sound effects for this one-woman show. I was also in charge of operating the sound board during the performances.</p> + </description> + <url>https://www.broadwayworld.com/off-off-broadway/article/THIS-FEELING-A-New-Romantic-Comedy-Premieres-At-The-Frigid-Fringe-Festival-20200225</url> + </role> + </company> </work-history> <foss-contributions> <project>