@ -164,6 +164,112 @@
</description>
</role>
</company>
<company >
<name > Romanian Cultural Institute</name>
<role >
<title > Lighting Designer & Audio– </title>
<production > The Retreat</production>
<duration >
<start datetime= "2025-01" > January 2025</start>
<end datetime= "2025-01" > January 2025</end>
</duration>
<description >
<p >
I designed the lighting in collaboration with the
performers during their one and only rehearsal in
the space. For the performance itself, I operated
the lights, the sound, and the projections.
</p>
</description>
<url > https://www.rciusa.info/events/national-culture-day-electrifying-simona-maicanescu-in-the-united-states-and-canada</url>
</role>
</company>
<company >
<name > The Sheen Center for Thought & Culture</name>
<role >
<title > Box Office Manager & Run Crew</title>
<production > Odd Man Out</production>
<duration >
<start datetime= "2024-05" > May 2024</start>
<end datetime= "2024-08" > August 2024</end>
</duration>
<description >
<p >
Over the show's three-month run, I was in charge of
greeting guests; scanning tickets; and communicating
with Fever, TodayTix and other ticketing providers.
I monitored ticket prices and capacity daily,
producing detailed sales reports for the producers
based on their requests. The immersive show also had
a set in the lobby that needed to be changed during
each show and taken down at the end of the day. I
hung lights, set up furniture, and dressed the space
according to plans created by the set designer. I
also helped audience members utilise technology-free
pouches, locking their devices in a bag for the
duration of the show and unlocking them upon
departure.
</p>
</description>
<url > https://www.sheencenter.org/events/detail/odd-man-out</url>
</role>
</company>
<company >
<name > Out of the Box Theatrics</name>
<role >
<title > Box Office Manager</title>
<production > Until Dark</production>
<duration >
<start datetime= "2024-03" > March 2024</start>
<end datetime= "2024-04" > April 2024</end>
</duration>
<description >
<p >
I was in charge of maintaining the front-of-house,
selling merchandise, and scanning tickets via
Eventbrite. I prepared detailed breakdowns for
nightly attendance, complimentary ticket usage, and
total revenue.
</p>
</description>
<url > https://www.broadwayworld.com/off-broadway/article/Et-Alia-Theater-to-Present-UNTIL-DARK-by-Federica-Borlenghi-This-Month-20240205</url>
</role>
</company>
<company >
<name > Theater for the New City</name>
<role >
<title > Sound Designer & Lighting Operator</title>
<production > Stop Kiss</production>
<duration >
<start datetime= "2023-05" > May 2023</start>
<end datetime= "2023-06" > June 2023</end>
</duration>
<description >
<p >
I sourced the sound effects and music for the show,
organising them into a QLab workspace for the
soundboard operator. I also operated the lighting
board for every performance.
</p>
</description>
<url > https://www.broadwayworld.com/off-off-broadway/regional/Stop-Kiss-3813008</url>
</role>
</company>
<company >
<name > New York City Fringe</name>
<role >
<title > Sound Designer and Board Operator</title>
<production > This Feeling</production>
<duration >
<start datetime= "2020-02" > February 2020</start>
<end datetime= "2020-03" > March 2020</end>
</duration>
<description >
<p > I worked with the writer-director to create music and sound effects for this one-woman show. I was also in of operating the sound board during the performances.</p>
</description>
<url > https://www.broadwayworld.com/off-off-broadway/article/THIS-FEELING-A-New-Romantic-Comedy-Premieres-At-The-Frigid-Fringe-Festival-20200225</url>
</role>
</company>
</work-history>
<foss-contributions >
<project >
Ainsley Ellis