+ I designed the lighting in collaboration with the + performers during their one and only rehearsal in + the space. For the performance itself, I operated + the lights, the sound, and the projections. +
++ Over the show's three-month run, I was in charge of + greeting guests; scanning tickets; and communicating + with Fever, TodayTix and other ticketing providers. + I monitored ticket prices and capacity daily, + producing detailed sales reports for the producers + based on their requests. The immersive show also had + a set in the lobby that needed to be changed during + each show and taken down at the end of the day. I + hung lights, set up furniture, and dressed the space + according to plans created by the set designer. I + also helped audience members utilise technology-free + pouches, locking their devices in a bag for the + duration of the show and unlocking them upon + departure. +
++ I was in charge of maintaining the front-of-house, + selling merchandise, and scanning tickets via + Eventbrite. I prepared detailed breakdowns for + nightly attendance, complimentary ticket usage, and + total revenue. +
++ I sourced the sound effects and music for the show, + organising them into a QLab workspace for the + soundboard operator. I also operated the lighting + board for every performance. +
+I worked with the writer-director to create music and sound effects for this one-woman show. I was also in of operating the sound board during the performances.
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